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I made a brick mold that makes bricks 25 x 12.5 x 7.5 cm from wood. A log was split and mortise and tenon joints were carved using a stone chisel and sharp rocks. The mold was lashed together with cane to prevent it from coming apart when used.
Next, I made a mixture of mud and palm fiber to make the bricks. This was then placed into the mold to be shaped and taken to a drying area. 140 bricks were made.
When dry, the bricks were then assembled into a kiln. 32 roof tiles were then made of mud and fired in the kiln. It only took 3 hours to fire the tiles sufficiently. The mud bricks and tiles were a bit weaker than objects made from my regular clay source because of the silt, sand and gravel content of the soil. Because of this, I will look at refining mud into clay in future projects instead of just using mud.
Interestingly, the kiln got hot enough so that iron oxide containing stones began to melt out of the tiles. This is not metallic iron, but only slag (iron oxide and silica) and the temperature was probably not very high, but only enough to slowly melt or soften the stones when heated for 3 hours.
The kiln performed as well as the monolithic ones I've built in the past and has a good volume. It can also be taken down and transported to other areas. But the bricks are very brittle and next time I'd use better clay devoid of sand/silt, and use grog instead of temper made of plant fiber which burns out in firing. The mold works satisfactorily. I aim to make better quality bricks for use in furnaces and buildings in future.
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Hello everyone, my name is Duong.
I am 32 years old.
I live in a poor mountainous area of Vietnam.
From a young age, I had to work hard to help my parents.
Difficult life is always around, I work and learn everything from my grandparents and the old people in the village.
Gradually, I mastered the skills.
5 years ago, I decided to live the challenge.
Determined to learn about the primitive way of life, I chose to live in the wilderness, alone.
Where there's no technology and forcing yourself to pass, it feels great!
How about you? Your life is definitely different from mine.
Have fun watching the video!
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At the old hut site (the new one being temporarily cut off by flooding) I made lime mortar from the shells of rainforest snails by firing them in a kiln, slaking them in water, mixing them into lime putty. Limestone is basically calcium carbonate (CaCO3). The general source of lime is limestone and various other calcareous minerals, though shells, egg shells and coral are other sources of lime (for more information see video on Corporals Corner channel: https://youtu.be/tOhAfaFboNU or Skillcults channel: https://youtu.be/jOxaOTUGuKo). When heated above 840 degrees Celsius, the lime decomposes into calcium oxide (CaO) or Quicklime and releases carbon dioxide (CO2). When water is added to the quicklime it becomes calcium hydroxide Ca (OH)2 or lime putty. From here the calcium hydroxide can then be shaped into a form and allowed to set. Carbon dioxide enters the lime putty as it dries causing it to turn back into calcium carbonate. The new calcium carbonate has then set, remaining solid and water resistant.
In my local geography, calcareous rocks such as limestone are absent leading to a difficulty in acquiring the feed stock for lime making. However, I was still able to make lime by collecting the shells of large terrestrial snails that are native to the rainforest here. The unoccupied shells of these snails were gathered up and stored at the hut. Fire wood was gathered and packed neatly into the kiln. Importantly, the firewood was stacked on top of the grate rather than underneath it in the firebox as is the normal procedure for firing pottery. Using an ordinary updraft pottery kiln in this configuration allows it to reach much higher temperatures than would be possible during normal use. The wood was lit from above and the fire burned down towards the grate. Alternate layers of shells and wood were added on to this burning fuel bed. After adding the last layer of wood to act as a “lid” to prevent heat loss from above I left the kiln to finish on its own, unsupervised. The whole process took about an hour and a half.
When the kiln had cooled down a few hours later, I took out the calcined shells. Not shown in the video was the fact that some shells got so hot, the dirt stuck to them turned into slag and fused to them, possibly with the lime acting a flux lowering its melting point. This extreme heat (+1200 c) should be avoided as the over burnt lime becomes “dead lime”, unable to slake in water. Most shells were still useable though. They were taken out of the kiln and had water added to them. An exothermic reaction then ensued. Heat was produced as the lime quicklime turned into slaked lime. The water heated up creating steam and the shells decomposed into a white paste. The paste was stirred and crushed pottery was added to it as an aggregate (sand is normally used for this, I just had a lot of old pot sherds lying about to dispose of). This lime mortar mixture was then formed into a block shape and left to dry. It took about a week and a half to set as we have had extremely humid, wet weather. The block was observed to have set demonstrating its properties.
What I created is actually lime mortar, typically used for mortaring bricks and tiles together. It’s basically the ‘Glue’ that holds together the building blocks of masonry structures. From my research 20 kg of lime mortar is used on a 1 m square section of brick wall. 5 kg of lime to 15 kg of aggregate (sand, grog etc.) per a 1 m square section of bricks. The shells, though large, are not terribly abundant. A method for finding shells efficiently needs to be made before considering making lime mortar in this fashion. From my experience sand bars in a creek sometimes accumulate snail shells from higher up in the mountains. In these spots, water velocity decreases and shells in the water tend to drop out of the water column. Additionally lime may be partially replaced with ordinary wood ash in mortar without a corresponding decrease in strength. To conclude, making lime in a land without limestone is possible but can be problematic when trying to do so on a large scale.
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1) Plastic edging 58 mm (Preview)
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2) General SOLAR PV (Preview)
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13) Adjustable Height Paver Drain (Preview)
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00:00 - Century Outdoor Composite Deck Board Tiles
01:01 - MC-Injekt 2133
01:49 - Insulfoam Hybrid Roof System
02:35 - Schlüter-DITRA
03:12 - Ply Gem Stone Durata EZ Column Wrap
03:59 - Lightweight Concrete Panel Installation
04:56 - FRÄNKISCHE Rigofill ST-B
05:49 - Supersized Clamshell Box Culvert Install
06:39 - General SOLAR PV
07:29 - BERA Alu Sub-base Terrace System
08:22 - Adjustable Height Paver Drain
08:59 - Plastic edging 58 mm
09:38 - AGUSS
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There are 2 primary ways to process wild clay, wet or dry. I usually prefer dry processing my clay but it doesn't work for all clays, for different reasons, sometimes you need to wet process your clay. This video illustrates in detail how to wet process clay that you have dug from nature.
To learn all about finding, collecting and processing wild clay, check out my online masterclass, Wild Clay 101 - https://ancientpottery.how/courses/native-clay/
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Monkey Smash! Make A MEGA Monkey's Fist Impact Tool In This Tutorial!
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Hey Weavers! In this episode we will be making a Mega Monkey's Fist Impact Tool! This giant monkey's fist uses an 8-Ball as the core and makes a very hefty monkey's fist. You can use this impact tool for things such as tenderizing tough steaks, taking down drywall, or smashing fruit. Hope you all like this video and will try making one!
Wide Diamond Knot: https://youtu.be/2xy1m5X8iTE
TIMESTAMPS:
0:00 Intro
0:38 Paracord And Materials Required
1:02 Wrapping the 8-Ball On Jig (1st Pass)
2:14 Wrapping 2nd Pass
2:54 Wrapping 3rd Pass
4:25 Removing From Jig and Cinching Slack Out
5:37 Tying Wide Diamond Knot
7:29 Tying 4 Strand Round Braid Lanyard
8:40 Transitioning From Braid To Cobra Knot
9:21 Snipping And Melting Excess Cord
9:33 Attaching Carabiner
10:19 Tying King Cobra Knots Over Lanyard
10:50 Snipping And Melting Excess Cord
11:14 Conclusion
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Related Tutorials:
2-Strand Buckle Core (Single Hitch): http://bit.ly/2cLyeG4
2-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2aZSORX
4-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2cvkGwX
6-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2cpUlO5
Diamond Knot: http://bit.ly/1woPIgl
Contained 4-Strand Core: https://bit.ly/2YY9MGA
Welcome to The Weavers of Eternity official paracord tutorial channel! Here you'll find paracord tutorials, videos, tips, tricks, and lessons on everything related to paracord weaving, paracord bracelet making, knot tying, and paracord education. Please enjoy your stay and subscribe for new content on a weekly basis.
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The Devil Went Down to Georgia · The Charlie Daniels Band
A Decade Of Hits
℗ 1979 Sony Music Entertainment
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Associated Performer: Joel Di Gregorio
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Composer, Lyricist: William Joel DiGregorio
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Composer, Lyricist: Fred Laroy Edwards
Composer, Lyricist: Charles Fred Hayward
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In this woodworking video, I'll show you 6 woodworking gifts you can make. These holiday gifts you can make from wood include a cookbook stand, a bottle opener, a lamp, festive holiday coasters, bookmarks and, my favorite, an easy baguette slicer.
Looking for more woodworking gift ideas? Check out my previous holiday gift editions:
2021 - https://youtu.be/CeGejUN0_0E
2020 - https://youtu.be/AsYcRlfEkt4
2019 - https://youtu.be/9l7J2UtUu1g
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►CHAPTERS
0:00 Intro
0:18 Gift idea number 1 - Baguette Slicer
3:40 Gift idea number 2 - 3-in-1 Bottle Opener
6:05 Gift idea number 3 - Floating Cube Tower Lamp
10:12 Gift idea number 4 - Festive Holiday Coasters
14:01 Gift idea number 5 - Cookbook / iPad Stand
18:49 Gift idea number 6 - Bookmarks
21:28 Bonus gift ideas
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Oh My by Patrick Patrikios
Flow (Sting) by MK2
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(C) 2001 T-Bones Records
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Light 'Em Up _w/lyrics
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Hey Weavers! I was inspired by last week's Conquistador Ring tutorial to make this single closed loop Conquistador paracord bracelet. We're using some elastic shock cord to make this bracelet a closed loop so that you can slip the bracelet on and off. The shock cord allows the bracelet to be a bit smaller and still fit somewhat nicely while not having a clasp to open and close it. For reference, my wrist is 7" in circumference and the bracelet I made is 7.25" in circumference. You can definitely play around with the ratio of paracord to shock cord for this bracelet. Hope you all try this one out! Let me know what you think in the comment section!
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Related Tutorials:
2-Strand Buckle Core (Single Hitch): http://bit.ly/2cLyeG4
2-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2aZSORX
4-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2cvkGwX
6-Strand Buckle Core (Double Cow's Hitch): http://bit.ly/2cpUlO5
Diamond Knot: http://bit.ly/1woPIgl
Contained 4-Strand Core: https://bit.ly/2YY9MGA
Welcome to The Weavers of Eternity official paracord tutorial channel! Here you'll find paracord tutorials, videos, tips, tricks, and lessons on everything related to paracord weaving, paracord bracelet making, knot tying, and paracord education. Please enjoy your stay and subscribe for new content on a weekly basis.
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#paracord #weaversofeternity
Ganoderma tsugae (reishi, hemlock varnish shelf) is a polypore mushroom that grows on fallen hemlock trees in North America. In this video, Adam Haritan explains how to positively identify this mushroom. He also discusses medicinal benefits and related species.
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The final step in our handmade, brick-making process.
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